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Features

Celebrating Vivian Maier, unsung street photographer

Five years after her death and the discovery of her cache of images in a storage locker, a show of photography by a Chicago nanny will be mounted at Chicago’s Harold Washington Library March 29. A documentary of her life and work, “Finding Vivian Maier,” opens in Chicago April 4.
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Leveling the playing field even more

Forty years ago this month, President Richard Nixon signed legislation that broke open the nation’s playing fields and arenas to young women. A generation later, many of those same women are running sports-related businesses, trying to complete the work that started when they were children.
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From muggle to media mogul by age 25

At age 12, media entrepreneur Emerson Spartz persuaded his parents to let him and his 10-year-old brother, Dylan, quit school. His parents agreed, as long as the boys read widely, including four magazine-length bios of successful people per day. Freed from other homework, the seventh-grade dropout turned his attention to his passion, the Harry Potter books, and created what would become the series’ No. 1 fan site, Mugglenet.com.
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Director Zimmerman finds source material in unlikely places

As a child, Mary Zimmerman came upon a rehearsal of Shakespeare’s “A Midsummer Night’s Dream” in the woods behind her parents’ home in Hampstead Garden, England. Music spilled from a gramophone. Oberon ran in circles beside the other characters, then stopped abruptly and asked, “How many times do I go around?”
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In the blog

A friend heading to the Galapagos Islands asked my advice for a breezy read, a light but engaging page-turner. Not my kind of read, but I scanned my shelves: Nick Hornby’s Funny Girl, Kevin Kwan’s Crazy Rich Asians, John Kenney’s Truth in Advertising. Not light but certainly engaging, Dan Chaon’s Await Your Reply. What is

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Blockbuster shows of museum art enthrall — and exhaust. Yes, it’s astonishing to see the treasures of Tutankhamun, the Picasso retrospective, Matisse beside Picasso, Calder’s circus. But there’s a deep pleasure in being drawn to a museum to see a single work, on loan, set among its peers. There you’ll find no headsets, no clots

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I have no books to recommend. I’ve been reading, of course. I admired but didn’t love Kevin Wilson’s Nothing to See Here, which I thought would be about women’s friendships (if so, we’re doomed as a gender), but was really about neglect. Before that, I read What Maisie Knew, by Henry James, the mother of

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