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Reading: comfort and wisdom

Here’s what I’ve been reading and liking lately.

shoppingEvicted is a thick work of nonfiction by sociologist Matthew Desmond, about tenants and landlords in a poor part of Milwaukee. The book is richly told, detailed, Dickensian. I liked the telling more than the tale, which is depressing, heartbreaking, hopeless. Women and children, the disabled, the underemployed, the drug addicted losing their homes. Housing as a human right? I’m sold.

imagesOn to a big read, The Nix, by Nathan Hill, which tells the story of a young man who must reunite with the mother who abandoned him as a child, who has resurfaced as a political terrorist. This read is a wild ride that spans continents and decades, mostly set in and around contemporary Chicago. It’s a coming of age story, a love story, a satire, a terrifying on-the-ground retelling of the 1968 Chicago riots. 620 pages, so much to like.

images-1In my post-election funk, I needed comedy. Francine Prose’s Mister Monkey was my salve. From a musical that never goes out of style — Mister Monkey — we enter the lives of actors, the director, the author, a man and his grandson in the audience. What a delightful web! Each of their stories entrances; I especially loved the grandfather in the mix with today’s fussy parents and the school teacher on a first date from hell. Sweet, funny, surprising. A rollicking read.

Also in the blog

Two of my dearest, smartest friends read no fiction at all. Ever. Lately I’m drifting into their camp. I’ve already railed about the grotesque resolution in Gillian Flynn’s “Gone Girl,” but it’s worth repeating: I see people carrying that book and think — ugh, just wait. That book that should be wrapped in warning tape.

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Some books should be sold shrink-wrapped with a box of tissues. Or two. That would be Jojo Moyes’ “Me Before You,” which brings new meaning to book grief. Louisa Clark is 27 and newly unemployed in an English tourist town where there aren’t a lot options. She’s not educated or worldly. She lives at home

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My eldest son and I have an ongoing discussion about “The Shelf,” an imaginary but distinctive resting place for the best war literature. He referred to it after I finished Karl Marlantes “Mattherhorn,” a 640 page slog — in the best sense of the word — through the Vietnam War. (We agree to disagree on

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