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Reading: comfort and wisdom

Here’s what I’ve been reading and liking lately.

shoppingEvicted is a thick work of nonfiction by sociologist Matthew Desmond, about tenants and landlords in a poor part of Milwaukee. The book is richly told, detailed, Dickensian. I liked the telling more than the tale, which is depressing, heartbreaking, hopeless. Women and children, the disabled, the underemployed, the drug addicted losing their homes. Housing as a human right? I’m sold.

imagesOn to a big read, The Nix, by Nathan Hill, which tells the story of a young man who must reunite with the mother who abandoned him as a child, who has resurfaced as a political terrorist. This read is a wild ride that spans continents and decades, mostly set in and around contemporary Chicago. It’s a coming of age story, a love story, a satire, a terrifying on-the-ground retelling of the 1968 Chicago riots. 620 pages, so much to like.

images-1In my post-election funk, I needed comedy. Francine Prose’s Mister Monkey was my salve. From a musical that never goes out of style — Mister Monkey — we enter the lives of actors, the director, the author, a man and his grandson in the audience. What a delightful web! Each of their stories entrances; I especially loved the grandfather in the mix with today’s fussy parents and the school teacher on a first date from hell. Sweet, funny, surprising. A rollicking read.

Also in the blog

Wow. How many doorstoppers in a row? First, Peter Orner’s “Love and Shame and Love.” A great title! His story is multigenerational but so choppily told I lost interest in every character. Next, Anna Solomon’s “The Little Bride.” Another great title, well reviewed. I put it down two-thirds of the way through. If you put

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I’m one of the few readers on earth who didn’t finish Erik Larson’s 2004 mega-hit, “Devil in the White City.” I had researched and written about the 1893 Columbian Exposition in Chicago — the White City — so those chapters bored me. The serial killer chapters scared me. I couldn’t read it! Now Larson has

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Why do we give authors second chances? Once burned, why invest again? Because books, and their creators, are like lovers: we may have parted but we want to recall the initial attraction. Rose Tremain’s “The Road Home” disappointed. It was so predictable: an immigrant comes to London, sleeps in a corner, lucks into better and

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